We met on a chilly Thursday morning in January, 2026. 
I’ve just moved to Dublin towed by my husband’s relocation and it was my first outing in a new city.

From the moment I saw her it somehow became crystal clear that she was an introvert. Even after the first pretty friendly greetings, I could feel how protective she was of her personal space.
Thirty-five years old. Neat, modest and kinda detached. She had a squat bastion-like figure. Style nodded more in the vintage direction.

It was still quite early and there was no one else beside us and maybe a couple of museum workers, quietly hiding here and there.
We both didn’t have anything urgent planned for this day, so we decided to take time and get to know each other better. Took a few circles in the sizable paved courtyard, then went up to the second floor and took a slow stroll around the permanent collection. And we talked. Talked without any concrete objective in mind. We discussed how beautiful the view out of the windows is. Noticed the rainbow on the floor, accidentally created by a stray sunbeam. Shared remarks on different art pieces, rhythmically emerging in front of us.
Even through all of the modern topics and research she was so openly sharing with me, and layers of contemporary thinking, I could feel that there was also a lot of reminiscing going on inside.
She told me that her first job actually was as hostess at Royal Hospital Kilmainham mainly helping soldiers of the Irish Army (finally, long-awaited explanation for surprising conservatism and overtidiness in appearance!). However, in 1991 with active support of Declan McGonagle, a well-known figure in Irish contemporary art, she completely reinvented herself. 

Now, as she described herself: “in a roll of a Global Connector IMMA is committed to increasing the presence of Irish creativity on the international stage, by actively engaging in an international network of like-minded partners, through collaborative projects and touring exhibitions, and by inviting international curators and artists to collaborate and dialogue with the creative community based here in Ireland” (Annie Fletcher, IMMA STRATEGY 2024-2028).

We wrapped up our introductory meeting over a cup of coffee in the cozy underground cafe. It was nice. Despite the first impression, she turned out to be very easygoing and approachable. During our time together we didn’t just passively observe art on the walls, but started a real dialogue, which I will be very happy to continue. After everything I learned that day, I feel much more connected to Dublin history and culture.

Although our acquaintance went pleasantly, I am quite certain that winter storms are not the most comfortable season for her. To be honest I hope to observe her more in action. Maybe during spring-summer festivals?